Kenny Beats shares ten of his favorite plugins, specifically focusing on Ableton stock plugins and third-party tools he likes to apply to guitars and basses.
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In partnership with SoundCloud, we’re excited to launch this first-ever opportunity for our user community to create their own sample packs.
We examine tracks by Vince Staples, Joji, and Ed Sheeran that Kenny Beats had a hand in and break down how he applies different sides of his musicality to best serve each artist.
In celebration of spooky season, we did some virtual crate digging to flip four unique horror movie soundtracks into hard-hitting beats.
We explore eight key concepts for how to succeed as a music producer when working alongside other people in the studio.
We highlight a few unique chords and progressions heard in KANA-BOON’s “Silhouette,” the track that served as the sixteenth opening for Naruto Shippuden.
We dive into one person’s experience of audio-tactile synesthesia, discussing what it’s like to live with it and how it can color the creative process.
Kenny Beats shares some of his favorite music, movies, activities, and more that spark his creativity and motivate him to get back in the studio.
We’re excited to announce the one-and-only Kenny Beats as Splice’s first-ever Artist in Residence.
We explore how to recreate the iconic vocal sounds of Daft Punk, Kanye West, and more using iZotope’s VocalSynth 2.
Tainy, Taiko, and Kat Dahlia dive even deeper into the origins of reggaeton, where it stands today, and where it’s headed tomorrow.
Tainy, Lao Ra, Taiko, and Erick Bardales tell us about the role reggaeton has played throughout their personal and creative lives and how they see the genre evolving.
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