In this entry of Hits decoded, let’s explore 3 elements that make the Jonas Brothers’ “Sucker” a solid track for kickstarting their comeback.
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We’re excited to announce the arrival of MIDI start points and filtered batch downloads, two new features that expand your ability to get that sound you’re looking for.
Hip hop legend Mannie Fresh spoke with Splice about eight songs from his illustrious career, telling unheard stories on how each track came to life.
In this blog post, we’ve recreated the instrumental of Bruno Mars and Cardi B’s massive hit, “Please Me.”
We’re proud to announce some exciting news on how we’re accelerating Splice’s impact on creative culture.
In this article, prolific hip hop producer Boi-1da tells us about working with Drake on “Mob Ties,” giving back to aspiring producers, and more.
We sat down multi-platinum producer and songwriter Mick Schultz to discuss his beginnings, favorite DAW, creating one-of-a-kind sounds, and more.
In this article, we recreate the lead pluck sound in a-ha’s “Take On Me” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic FM synth pad heard in Toto’s “Africa” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic synth heard in the intro of Radiohead’s “Everything In Its Right Place” with Arturia’s Pigments.
Patrick “P-Thugg” Gemayel of Chromeo shares how the duo arrived to their sound over years of exploring diverse influences and discovering new gear.
Chrome Sparks speaks with us on his modular rack, creating songs from scratch, translating electronic music to a live performance, and more.
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