In this article, we recreate the lead pluck sound in a-ha’s “Take On Me” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic FM synth pad heard in Toto’s “Africa” with Arturia’s Pigments.
Let’s take a look at how to recreate the iconic synth heard in the intro of Radiohead’s “Everything In Its Right Place” with Arturia’s Pigments.
In this blog post, we recreated the beat behind Blueface’s catchy and off-kilter “Thotiana.”
Let’s take a look at three production choices that make “Shallow” breathtakingly powerful: the lyrics, instrumentation, and arrangement.
We recreate the kicks heard in Kanye West’s “Love Lockdown,” Azealia Banks’ “Anna Wintour,” and Ghostemane’s “Mercury: Retrograde” using nothing but D16’s Punchbox.
In 2016, producer Stelios Phili got in touch with 300 Entertainment and sent over a handful of ideas. Knowing Elton John was a fan of…
In this blog post, we break down 3 elements of Kanye West’s “Ghost Town” that define the song as one of the strongest tracks on “Ye.”
We examine the Yanny / Laurel debate from an audio science perspective to explore why people don’t agree on what they hear with this peculiar audio clip.
In this blog post we take a look at how iZotope’s Ozone 8 and Neutron 2 Advanced can work together to aid in making some tough production decisions.
Let’s explore Ableton’s Wavetable by examining its oscillators and modulation in detail. We’ll then use our learnings to create our very own patch.
To kick off our “The Sound” series, we’ll take a look at the history and production techniques that give Atlanta trap its signature flavor.
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